The Carpenter’s Son review – FKA Twigs’ Mary is…
In the beginning there was nothing and then there was light. Or in the instance of The Carpenter’s Son,...
In the beginning there was nothing and then there was light. Or in the instance of The Carpenter’s Son,...
It is that Finnish word “that cannot be translated” again, and yet which is translated, also again, in opening text,...
The invisible loyalties between Vinz, Hubert and Saïd suggest that they are childhood friends, splintering in young adulthood...
Despite only running between 2004 and 2007, To Catch a Predator had an indelible impact on popular culture. Fronted...
Louis Leterrier’s unlikely 2013 hit, Now You See Me, opens with an instruction: “Come closer… Closer… The closer you...
Predators: Badlands works best when it’s dealing with the organic. In the soft, frictionless world of so many computer-generated...
The film’s title, renamed from the story’s original Save the Green Planet!, speaks to a central fascination of Kubrick spanning...
Ever since he was a child, Guillermo del Toro has been fascinated by Mary Shelley’s ‘Frankenstein’. It is the...
It was the Brooklyn-born, Bronx-raised, and Harlem-championing photojournalist Kwame Brathwaite who came to popularise the phrase “Black is...
On Truth & Movies this week, we discuss Kelly Reichardt’s The Mastermind, Springsteen: Deliver Me From Nowhere, and...
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